If you’ve picked up a
skateboarding magazine in the last couple decades, chances are you’ve seen his
work. And if you’re a fan of Foundation, Toy Machine, Zoo York, and pretty much
every East Coast skater, chances are you’ve fanned out on his work. He’s been
instrumental in giving East Coast skateboarding its hardworking, gritty, and
genuine reputation, and these days he’s capturing that vibe for Zoo York.
Everyone, meet my friend Sean Cronan.
How'd you get your start
in photography?
Messing around with my dad’s
camera a million years ago. I just started shooting photos of my friends
skating, and riding bikes, and going to hardcore shows. I did a zine for most
of high school.
What were some of the
bands you shot?
Pretty much all the late
80's, early 90's hardcore bands. Youth of Today, Bad Brains, Supertouch,
Absolution, Burn, Up Front, Gorilla Biscuits , Wide Awake, Fugazi , Strife,
Jawbreaker , Endpoint, Split Lip , the list goes on and on.
How did you end up
shooting skating?
My first magazine photo was a
Black Label ad for my buddy Tim Upson. He had just turned pro, and he needed to
shoot an ad, and I had a camera, and that was it. Back tail on a jersey barrier
at night in the snow in January. The trick was great. The photo is terrible.
Somehow it got run, and I've had stuff run ever since
What’s your favorite kind
of skating to shoot?
All of it.
You’ve lived on the East
Coast for most of your life, but you did spend a few years in California. What
are some of the major differences between the two places, from a photographer's
perspective?
The East Coast looks better.
It’s more interesting looking than Southern California in my opinion. Southern
California is like a police state. It was almost a daily thing to get hassled
by the cops in so cal. Spots are more rugged on the East Coast due to the
weather.
What makes the
prototypical "New England" skate photo?
Leaves on the ground. Not
really sure. Dirty, rough looking spots. No palm trees. Overcast skies.
What’s your ideal crew to
take on a skate trip, and where do you go?
Dream Crew? I just came back
from Japan yesterday, and I was with Westgate, Zered, and Eli Reed, and that
was a pretty perfect group. I would add Barley, cause it’s great to have him
around, and Leo, cause he’s Leo. And B.A.That would be my dream group. We would go to Australia, or China.
How much camera gear do
you bring on say, a week-long skate trip?
Too much, probably, but I
like to be prepared. I am definitely a gear head when it comes to camera
equipment. That being said, a lot of my photos are available light.
What are some of the
photos you are most proud of, and why?
The recent ads, and boards
I’ve done for Zoo are my favorite so far. I feel like I am really starting to
hit my stride.
What's been your personal
favorite cover so far?
Big Brother-Kris
Markovich ollie on a mini ramp. The infamous “floating wheel” cover. Jeff
Tremaine (art director) moved Kris up and over slightly to make room for the
words, and left a wheel floating in the bush. There was a huge uproar and he
almost quit in shame because of it. It was my first cover, so I was just
psyched.
My other fave is Transworld-Zered Bassett front 5-0
What do you like to shoot
besides skateboarding?
My son, Polaroids of everyday
objects.
Have you ever had bail
shots that were published? That’s kind of a no-no in skate photography, right?
It hasn’t happened in a long
time, but yeah, I’ve had a couple just like everyone else. We all know the
scenario. Skater needs an ad, shot looks good. Get kicked out, or too sore to
keep trying. Promises to go back and get it, but for whatever reason it doesn’t
happen. Any photographer who says they have never had a bail shot run is
probably being less than honest.
Who has been the easiest,
or most difficult, skater to shoot?
In my mind there is no easier
or harder skater to shoot. It usually comes down to the spot, and the
particular situation that you are in.
Who are some good
up-and-coming skate photographers that the mags should keep their eyes on?
This guy named BK in NY takes
some good pictures.
Cool. Thanks, Sean.
Captions written by Sean
Cronan. Check out more of Cronan’s photography at seancronanphotography.com